"Piano Concerto No. 3 in B Minor, Op. 89: II. Larghetto" by Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson was released on February 1, 1987. Since Piano Concerto No. 3 in B Minor, Op. 89: II. Larghetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Nepomuk Hummel, Stephen Hough, Bryden Thomson's "Hummel: Piano Concertos Nos. 2 and 3" album is number 5 out of 6. Piano Concerto No. 3 in B Minor, Op. 89: II. Larghetto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 3 in B Minor, Op. 89: II. Larghetto by Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Bergamasque, L. 75, CD 82: Suite bergamasque, L. 75, CD 82: IV. Passepied | Claude Debussy, Jean-Efflam Bavouzet | C Minor | 0 | 5A | 109 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Denis Kozhukhin, Rundfunk-Sinfonieorchester Berlin, Vassily Sinaisky | D♭ Major | 0 | 3B | 89 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Nocturne No.10 in E Major “Nocturne Pastorale”, H.54 | John Field, Elizabeth Joy Roe | E Major | 1 | 12B | 169 BPM | ||
Sonata in F Minor, L 187 | Domenico Scarlatti, Vladimir Horowitz | D Major | 1 | 10B | 146 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jorge Bolet | D♭ Major | 0 | 3B | 84 BPM | ||
Fantasie in E-Flat Major, Op. 18: II. Larghetto e cantabile | Johann Nepomuk Hummel, Madoka Inui | E♭ Major | 1 | 5B | 106 BPM | ||
Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78 | Felix Mendelssohn, Javier Perianes | A Major | 2 | 11B | 103 BPM | ||
Concerto for Violin and Piano, MWV O4: II. Adagio | Felix Mendelssohn, Isabelle van Keulen, Ronald Brautigam, Amsterdam Sinfonietta, Lev Markiz | C Minor | 3 | 5A | 114 BPM | ||
Vivaldi: Violin Concerto in G Minor, RV 315 "L'estate" (No. 2 from "Il cimento dell'armonia e dell'inventione", Op. 8): II. Adagio | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | G Minor | 0 | 6A | 92 BPM |
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