"Ein deutsches Requiem, Op.45: 3. Solo (Bariton) und Chor: "Herr, lehre doch mich"" by Johannes Brahms, José van Dam, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein was released on January 1, 1985. Ein deutsches Requiem, Op.45: 3. Solo (Bariton) und Chor: "Herr, lehre doch mich" appears to be safe for all ages as it is not explicit. The song is number 3 out of 7 in Brahms: Ein Deutsches Requiem Op.45 by Michael Haydn, Werner Ehrhardt, Riccardo Muti, Philharmonia Orchestra, Johannes Brahms, Barbara Hendricks, José van Dam, Rudolf Scholz, Wiener Singverein, Wiener Philharmoniker, Helmut Froschauer, Herbert von Karajan. Ein deutsches Requiem, Op.45: 3. Solo (Bariton) und Chor: "Herr, lehre doch mich" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ein deutsches Requiem, Op.45: 3. Solo (Bariton) und Chor: "Herr, lehre doch mich" by Johannes Brahms, José van Dam, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: Kyrie | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone | C Major | 0 | 8B | 120 BPM | ||
Requiem, Op. 48, N. 97: Offertoire (Ed. Marc Rigaudière) | Gabriel Fauré, Orchestra of the Age of Enlightenment, Stephen Cleobury, Gerald Finley, Ensemble of King's College, Cambridge | A♭ Major | 0 | 4B | 76 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM | ||
Rigoletto / Preludio: Preludio | Giuseppe Verdi, Wiener Philharmoniker, Carlo Maria Giulini | C Minor | 0 | 5A | 72 BPM | ||
Requiem: VI. Rex Tremendae | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | C Minor | 1 | 5A | 108 BPM | ||
Die Walküre, WWV 86B / Act III: "Hojotoho! Heiaha!" | Richard Wagner, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 93 BPM | ||
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Jonas Kaufmann, Jonathan Nott, Wiener Philharmoniker | F Major | 1 | 7B | 88 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM | ||
Das Lied von der Erde: Von der Jugend | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 1 | 6A | 79 BPM |
Section: 0.6883206367492676
End: 0.6917273998260498