Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio
Max Bruch, Christian Ferras, Walter Susskind, Philharmonia Orchestra
Bruch: Violin Concerto No. 1, Op. 26 - Lalo: Symphonie espagnole, Op. 21
8:10 January 1, 1959
BPM
91
Key
G Major
Camelot
9B

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Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio - Max Bruch, Christian Ferras, Walter Susskind, Philharmonia Orchestra Information

Acousticness
90%
Danceability
29%
Energy
23%
Instrumentalness
80%
Liveness
15%
Loudness
75%
Speechiness
4%
Valence
35%
Popularity
Loudness
-14.851 dB

Summary

Max Bruch, Christian Ferras, Walter Susskind, Philharmonia Orchestra's 'Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio' came out on January 1, 1959. Since Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 7 in Bruch: Violin Concerto No. 1, Op. 26 - Lalo: Symphonie espagnole, Op. 21 by Christian Ferras, Walter Susskind, Philharmonia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio BPM

The tempo marking of Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Christian Ferras, Walter Susskind, Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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ISRC
GBDYG1703765
Label
L-M Records/RCA Records

Section: 0.636786699295044

End: 0.6401758193969727