11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 5. Brauner Bursche fuhrt zum Tanze
Johannes Brahms, Gächinger Kantorei Stuttgart, Martin Galling, Helmuth Rilling
Brahms, J.: 11 Zigeunerlieder / Quartets - Opp. 31, 112 / Schumann, R.: Zigeunerleben, Op. 29
1:15 January 1, 1992
BPM
95
Key
B♭ Major
Camelot
6B

Embed

Share Link

11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 5. Brauner Bursche fuhrt zum Tanze - Johannes Brahms, Gächinger Kantorei Stuttgart, Martin Galling, Helmuth Rilling Information

Acousticness
96%
Danceability
41%
Energy
18%
Instrumentalness
0%
Liveness
12%
Loudness
75%
Speechiness
6%
Valence
10%
Popularity
Loudness
-15.202 dB

Summary

"11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 5. Brauner Bursche fuhrt zum Tanze" by Johannes Brahms, Gächinger Kantorei Stuttgart, Martin Galling, Helmuth Rilling was released on January 1, 1992. With 11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 5. Brauner Bursche fuhrt zum Tanze being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 21 in Brahms, J.: 11 Zigeunerlieder / Quartets - Opp. 31, 112 / Schumann, R.: Zigeunerleben, Op. 29 by Johannes Brahms, Gächinger Kantorei Stuttgart, Helmuth Rilling. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, 11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 5. Brauner Bursche fuhrt zum Tanze is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 5. Brauner Bursche fuhrt zum Tanze BPM

The tempo marking of 11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 5. Brauner Bursche fuhrt zum Tanze by Johannes Brahms, Gächinger Kantorei Stuttgart, Martin Galling, Helmuth Rilling is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 5. Brauner Bursche fuhrt zum Tanze Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
13 Pieces, Op. 76: No. 1 Esquisse by Jean Sibelius, Håvard Gimse13 Pieces, Op. 76: No. 1 EsquisseJean Sibelius, Håvard GimseA Major111B141 BPM
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) by Ignaz Friedman, Christoph Willibald Gluck, Joseph BanowetzOrfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano)Ignaz Friedman, Christoph Willibald Gluck, Joseph BanowetzF♯ Major02B70 BPM
Rhapsody for Alto, Chorus, and Orchestra, Op. 53 by Johannes Brahms, Jard van Nes, San Francisco Symphony Chorus, San Francisco Symphony, Herbert BlomstedtRhapsody for Alto, Chorus, and Orchestra, Op. 53Johannes Brahms, Jard van Nes, San Francisco Symphony Chorus, San Francisco Symphony, Herbert BlomstedtC Major08B177 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume by Robert Schumann, Kian Soltani, Aaron PilsanMyrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine BlumeRobert Schumann, Kian Soltani, Aaron PilsanF Major07B116 BPM
Keyboard Sonata in C Major, Kk. 159 by Domenico Scarlatti, Alon GoldsteinKeyboard Sonata in C Major, Kk. 159Domenico Scarlatti, Alon GoldsteinC Major28B120 BPM
Dido and Aeneas, Z. 626 / Act III: Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu HerzogG Minor16A77 BPM
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet by Antonín Dvořák, Peter BreinerSerenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. MinuetAntonín Dvořák, Peter BreinerA Major011B67 BPM
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song)Felix Mendelssohn, Péter NagyG Minor06A72 BPM
Keyboard Concerto in G Major, Wq. 44: II. Andantino by Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigKeyboard Concerto in G Major, Wq. 44: II. AndantinoCarl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigE Minor09A87 BPM
2 Aquarelles: Lento, ma non troppo by Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones2 Aquarelles: Lento, ma non troppoFrederick Delius, Royal Northern Sinfonia, David Lloyd-JonesB♭ Major16B72 BPM
ISRC
DED739200035
Label
L-M Records/RCA Records

Section: 0.7199969291687012

End: 0.7383756637573242