Der Freischütz, J.277 / Act 1: "Nein, länger trag' ich nicht die Quälen...Durch die Wälder, durch die Auen"
Jonas Kaufmann, Carl Maria von Weber, Prague Philharmonic Orchestra, Marco Armiliato
Romantic Arias
7:03 January 1, 2008
BPM
89
Key
B♭ Major
Camelot
6B

Embed

Share Link

Der Freischütz, J.277 / Act 1: "Nein, länger trag' ich nicht die Quälen...Durch die Wälder, durch die Auen" - Jonas Kaufmann, Carl Maria von Weber, Prague Philharmonic Orchestra, Marco Armiliato Information

Acousticness
98%
Danceability
26%
Energy
19%
Instrumentalness
10%
Liveness
8%
Loudness
76%
Speechiness
5%
Valence
10%
Popularity
Loudness
-14.461 dB

Summary

"Der Freischütz, J.277 / Act 1: "Nein, länger trag' ich nicht die Quälen...Durch die Wälder, durch die Auen"" by Jonas Kaufmann, Carl Maria von Weber, Prague Philharmonic Orchestra, Marco Armiliato was released on January 1, 2008. Since Der Freischütz, J.277 / Act 1: "Nein, länger trag' ich nicht die Quälen...Durch die Wälder, durch die Auen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Romantic Arias". In this album, this song's track order is #6. Der Freischütz, J.277 / Act 1: "Nein, länger trag' ich nicht die Quälen...Durch die Wälder, durch die Auen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Der Freischütz, J.277 / Act 1: "Nein, länger trag' ich nicht die Quälen...Durch die Wälder, durch die Auen" BPM

With Der Freischütz, J.277 / Act 1: "Nein, länger trag' ich nicht die Quälen...Durch die Wälder, durch die Auen" by Jonas Kaufmann, Carl Maria von Weber, Prague Philharmonic Orchestra, Marco Armiliato having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Der Freischütz, J.277 / Act 1: "Nein, länger trag' ich nicht die Quälen...Durch die Wälder, durch die Auen" Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles by Pyotr Ilyich Tchaikovsky, Valentina LisitsaSouvenir de Hapsal, Op. 2, TH 125: 3. Chant sans parolesPyotr Ilyich Tchaikovsky, Valentina LisitsaF Major07B100 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro by Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : II. AllegroArcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella IstropolitanaA Major311B131 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 by Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinZdes' khorosho ('How Fair This Spot'), Op. 21, No. 7Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinA Major011B87 BPM
Sibelius: 13 Pieces, Op. 76: No. 2, Étude by Jean Sibelius, Leif Ove AndsnesSibelius: 13 Pieces, Op. 76: No. 2, ÉtudeJean Sibelius, Leif Ove AndsnesA Minor18A127 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Clarinet Quintet in B-Flat Major, Op. 34: IV. Rondo. Allegro Giocoso by Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo FossiClarinet Quintet in B-Flat Major, Op. 34: IV. Rondo. Allegro GiocosoCarl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo FossiE♭ Major25B49 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsHaydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the FieldsC Major18B68 BPM
Abdelazar Suite, Z. 570: VI. Air by Henry Purcell, Camerata Nordica, Terje TonnesenAbdelazar Suite, Z. 570: VI. AirHenry Purcell, Camerata Nordica, Terje TonnesenG Minor26A131 BPM
Renaissance, Book 2: Sarabande (Lully) by Leopold Godowsky, Konstantin ScherbakovRenaissance, Book 2: Sarabande (Lully)Leopold Godowsky, Konstantin ScherbakovE Minor09A94 BPM
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) by Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav SolovievSix Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman)Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav SolovievD♭ Major13B101 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.1129767894744873

End: 1.1166114807128906