Francois Borne, duo tuba & harfe, Andreas Martin Hofmeir, Andreas Mildner made "Fantaisie brillante sur Carmen (Arr. A. Mildner & A. Martin for Harp & Tuba)" available on November 1, 2019. Fantaisie brillante sur Carmen (Arr. A. Mildner & A. Martin for Harp & Tuba) appears to be safe for all ages as it is not explicit. The song is number 14 out of 14 in Besser ohne Worte by duo tuba & harfe. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Fantaisie brillante sur Carmen (Arr. A. Mildner & A. Martin for Harp & Tuba) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Fantaisie brillante sur Carmen (Arr. A. Mildner & A. Martin for Harp & Tuba) by Francois Borne, duo tuba & harfe, Andreas Martin Hofmeir, Andreas Mildner is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
St. Paul's Suite Op. 29/2: Jig | Gustav Holst, Ross Pople | G Major | 1 | 9B | 74 BPM | ||
Reinecke: Ballade, Op. 288 | Carl Reinecke, Emmanuel Pahud, Ivan Repušić, Das Münchner Rundfunkorchester | G Minor | 1 | 6A | 79 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 101 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Fantaisie brillante sur Carmen | Francois Borne, Walter Auer | E Minor | 1 | 9A | 100 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Fantaisie brillante sur "Carmen" (Arr. for Flute & String Sextet) | Francois Borne, Nathanael Carré, Ensemble Nuanz | F Major | 1 | 7B | 126 BPM | ||
Suite in B-Flat Major, Nowak 34 (Excerpts): IV. Finale. Sehr schnell | Hans Rott, Gürzenich Orchester Köln, Christopher Ward | B♭ Major | 2 | 6B | 93 BPM | ||
L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM |
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