"L'Olimpiade, Act II Scene 9 - Scene 10 - Scene 11 - Scene 12: Recitativo. "Che labirinto è questo" - Recitativo. "A me, barbaro ?" - Recitativo "In angustia più fiera" - Recitativo. "Difendetemi il padre"" by Domenico Cimarosa, Mathilde Ortscheidt, Marie Lys, Rocio Pérez, Josh Lovell, Christophe Rousset, Les Talens Lyriques was released on May 10, 2024. With this song being about 5 minutes long, at 4:45, "L'Olimpiade, Act II Scene 9 - Scene 10 - Scene 11 - Scene 12: Recitativo. "Che labirinto è questo" - Recitativo. "A me, barbaro ?" - Recitativo "In angustia più fiera" - Recitativo. "Difendetemi il padre"" by Domenico Cimarosa, Mathilde Ortscheidt, Marie Lys, Rocio Pérez, Josh Lovell, Christophe Rousset, Les Talens Lyriques is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 42 in Cimarosa: L'Olimpiade by Domenico Cimarosa, Christophe Rousset, Les Talens Lyriques, Josh Lovell, Rocio Pérez, Marie Lys, Maite Beaumont, Mathilde Ortscheidt, Alex Banfield. Based on our statistics, L'Olimpiade, Act II Scene 9 - Scene 10 - Scene 11 - Scene 12: Recitativo. "Che labirinto è questo" - Recitativo. "A me, barbaro ?" - Recitativo "In angustia più fiera" - Recitativo. "Difendetemi il padre"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Olimpiade, Act II Scene 9 - Scene 10 - Scene 11 - Scene 12: Recitativo. "Che labirinto è questo" - Recitativo. "A me, barbaro ?" - Recitativo "In angustia più fiera" - Recitativo. "Difendetemi il padre" by Domenico Cimarosa, Mathilde Ortscheidt, Marie Lys, Rocio Pérez, Josh Lovell, Christophe Rousset, Les Talens Lyriques is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Préludes / Book 1, L. 117: No. 8, The Girl with the Flaxen Hair | Claude Debussy, Ruth Slenczynska | F♯ Major | 0 | 2B | 71 BPM | ||
Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Sigvaldi Kaldalóns, Víkingur Ólafsson | E♭ Major | 0 | 5B | 101 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
4 Postludes for Piano & String Orchestra: No. 3. Larghetto, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | G Major | 0 | 9B | 74 BPM | ||
Prelude in C Minor - Upright Piano | John Field, Alice Sara Ott | C Minor | 0 | 5A | 138 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Romance in F Minor, Op. 11, B. 38 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B♭ Minor | 0 | 3A | 209 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Keyboard Sonata in D Major, Op. 25, No. 6: II. Un poco andante | Muzio Clementi, Donatella Failoni | D Major | 1 | 10B | 140 BPM |
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