"Bliss, Act I, Scene 1, "Death and Transfiguration": "This is a catastrophe"" by Brett Dean, Amanda Holden, Merlyn Quaife, Taryn Fiebig, David Corcoran, Barry Ryan, Kanen Breen, Opera Australia Orchestra, Elgar Howarth was released on June 12, 2015. With Bliss, Act I, Scene 1, "Death and Transfiguration": "This is a catastrophe" being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 44 in Bliss by Amanda Holden, Brett Dean, Opera Australia. The popularity of Bliss, Act I, Scene 1, "Death and Transfiguration": "This is a catastrophe" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bliss, Act I, Scene 1, "Death and Transfiguration": "This is a catastrophe" by Brett Dean, Amanda Holden, Merlyn Quaife, Taryn Fiebig, David Corcoran, Barry Ryan, Kanen Breen, Opera Australia Orchestra, Elgar Howarth is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation II | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 1 | 7B | 89 BPM | ||
Berceuse, Op. 16 (Version for Violin and Orchestra) | Gabriel Fauré, Renaud Capuçon, Orchestre de Chambre de Lausanne | D Major | 0 | 10B | 95 BPM | ||
Oboe with Reversal Reflections | Björn Marberg, Winterbjôrn | A♭ Minor | 0 | 1A | 134 BPM | ||
And Tired From Happiness, They Started to Dance: II. Motion of Waiting | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | A Minor | 1 | 8A | 117 BPM | ||
Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | ||
Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
Violin Concerto: III. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | A♭ Major | 2 | 4B | 88 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Scenes from the Epic of Gilgamesh: I. Prologue | Robert Saxton, English Symphony Orchestra, Kenneth Woods | A Minor | 1 | 8A | 117 BPM | ||
Approaching the Crazed Myth Hunter | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM |
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