Matthäuspassion, BWV 244: Aria: Erbarme dich (Alto) - Johann Sebastian Bach, Marianne Beate Kielland, Kolner Kammerorchester, Helmut Muller-Bruhl Information

Acousticness: 98%
Danceability: 43%
Energy: 18%
Instrumentalness: 0%
Liveness: 15%
Loudness: 73%
Speechiness: 6%
Valence: 44%
Popularity: 8%
Loudness: -16.183 dB

Summary

Johann Sebastian Bach, Marianne Beate Kielland, Kolner Kammerorchester, Helmut Muller-Bruhl made "Matthäuspassion, BWV 244: Aria: Erbarme dich (Alto)" available on November 1, 2005. Matthäuspassion, BWV 244: Aria: Erbarme dich (Alto) is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Kolner Kammerorchester, Helmut Muller-Bruhl's "J.S. Bach: Matthäuspassion, BWV 244" album is number 10 out of 68. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Matthäuspassion, BWV 244: Aria: Erbarme dich (Alto) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Matthäuspassion, BWV 244: Aria: Erbarme dich (Alto) BPM

We consider the tempo marking of Matthäuspassion, BWV 244: Aria: Erbarme dich (Alto) by Johann Sebastian Bach, Marianne Beate Kielland, Kolner Kammerorchester, Helmut Muller-Bruhl to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Matthäuspassion, BWV 244: Aria: Erbarme dich (Alto) Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	D Major	2	10B	126 BPM
I. Was willst du dich betrüben (Chorus)	Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln	A♭ Major	2	4B	92 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Violin Partita No. 3 in E Major, BWV 1006: II. Loure	Johann Sebastian Bach, Hilary Hahn	D♭ Minor	1	12A	133 BPM
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro	Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel	E Major	2	12B	105 BPM
Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro	Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel	A♭ Major	2	4B	126 BPM
Oboe Concerto in F Major, Op. 7, No. 9: II. Adagio	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	F Major	1	7B	164 BPM
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace	William Boyce, Aradia Ensemble, Kevin Mallon	A♭ Major	1	4B	187 BPM
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	C Major	3	8B	108 BPM

ISRC: HKI190584510
Label: L-M Records/RCA Records

Section: 0.5875403881072998

End: 0.5917134284973145