Emmerich Kálmán, Rita Bartos, Willy Hofmann, Reinhold Bartel, Chor, Grosses Operetten Orchester, Franz Marszalek's 'Die Zirkusprinzessin - operetta in 3 Acts: Liese' came out on January 1, 1993. With Die Zirkusprinzessin - operetta in 3 Acts: Liese being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Emmerich Kálmán, Reinhold Bartel, Rita Bartos, Benno Kusche, Herta Talmar, Willi Hofmann, Renate Holm, Peter Alexander, Chor, Grosses Operetten Orchester, Franz Marszalek's "Gräfin Mariza - Die Csárdásfürstin - Die Zirkusprinzessin" album is number 30 out of 32. Die Zirkusprinzessin - operetta in 3 Acts: Liese is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Zirkusprinzessin - operetta in 3 Acts: Liese by Emmerich Kálmán, Rita Bartos, Willy Hofmann, Reinhold Bartel, Chor, Grosses Operetten Orchester, Franz Marszalek to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Immer nur lächeln - aus „Das Land des Lächelns“ | Rudolf Schock | D Major | 1 | 10B | 80 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
Dichter und Bauer: Overture | Franz von Suppé, Tonkünstler-Orchester, Ola Rudner | C Major | 0 | 8B | 76 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Der Bettelstudent - operetta in 3 Acts: Ach, er hat sie ja nur auf die Schulter geküßt | Carl Millöcker, Ingeborg Hallstein, Sandor Konya, Willy Schneider, Chor, Grosses Operetten Orchester, Franz Marszalek | E Major | 4 | 12B | 75 BPM | ||
Die Juliska Aus Budapest (aus Maske In Blau) | Anneliese Rothenberger | A Minor | 5 | 8A | 81 BPM | ||
Chantilly, Waltz, Op. 171 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 2 | 6B | 99 BPM | ||
Die Csárdásfürstin: Act I: "Alle sind wir Sünder - Die Mädis von Chantant" | Emmerich Kálmán, Hannerose Katterfeld, Eberhard Büchner, Chor der Staatsoper Dresden, Dresdner Philharmonie, Heinz Rögner | F Major | 3 | 7B | 116 BPM | ||
Gräfin Mariza - Operetta in 3 Acts: Einleitung - Höre ich Zigeunergeigen | Emmerich Kálmán, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 91 BPM |
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