Philippe Sarde made "Je compte jusqu'à cinq et tu es mort (Ouverture)" available on January 1, 1997. The duration of Je compte jusqu'à cinq et tu es mort (Ouverture) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Je compte jusqu'à cinq et tu es mort (Ouverture)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philippe Sarde's "Le bossu (Bande originale du film)" album is number 1 out of 14. In terms of popularity, Je compte jusqu'à cinq et tu es mort (Ouverture) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Je compte jusqu'à cinq et tu es mort (Ouverture) by Philippe Sarde to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Theme from Mystic River | Clint Eastwood | F Major | 0 | 7B | 131 BPM | ||
Tenderness | Franco Piersanti, Accademia Musicale Italiana | D Major | 3 | 10B | 83 BPM | ||
Rémi sans famille (Générique fin) | Romaric Laurence | D Minor | 0 | 7A | 88 BPM | ||
Renvoyée | Stephen Warbeck | E Minor | 0 | 9A | 129 BPM | ||
Le Toubib - Générique from Le toubib | Philippe Sarde, Marcel Azzola | B♭ Minor | 3 | 3A | 71 BPM | ||
Beethoven: Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, London Classical Players, Sir Roger Norrington | C Minor | 1 | 5A | 72 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo Di Valse | Antonín Dvořák, Orpheus Chamber Orchestra | A Major | 0 | 11B | 85 BPM | ||
Fantômas contre Scotland Yard - Bande originale du film "Fantômas contre Scotland Yard" | Michel Magne | C Minor | 3 | 5A | 95 BPM | ||
Barber Shop Scene (Hungarian Dance No. 5) | Charlie Chaplin | G Minor | 1 | 6A | 167 BPM | ||
Rive droite, rive gauche (Générique début) - Remasterisé en 2002 | Michel Berger | C Minor | 2 | 5A | 120 BPM |
Section: 0.5397617816925049
End: 0.5449581146240234