"Guitar Concerto in A Minor: I. Allegro. Entrada" by Salvador Bacarisse, Narciso Yepes, La Orquesta Filarmonía de España, Rafael Frühbeck de Burgos was released on July 17, 2020. Since Guitar Concerto in A Minor: I. Allegro. Entrada is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Torroba & Bacarisse: Guitar Works". In this album, this song's track order is #4. Guitar Concerto in A Minor: I. Allegro. Entrada is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Guitar Concerto in A Minor: I. Allegro. Entrada by Salvador Bacarisse, Narciso Yepes, La Orquesta Filarmonía de España, Rafael Frühbeck de Burgos having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concertino for Guitar and Orchestra in A Minor, Op. 72: IV. Rondo | Salvador Bacarisse, Karin Schaupp, Benjamin Northey, Tasmanian Symphony Orchestra | D Major | 1 | 10B | 140 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Capriccio concertante for Violin & Orchestra, Op. 70: II. Andante molto maestoso | Salvador Bacarisse, Cecilia Bercovich, Orquesta Filarmònica de Màlaga, José Luis Estellés | E♭ Major | 0 | 5B | 131 BPM | ||
Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Solveig's Song | Paavo Berglund | A Minor | 0 | 8A | 91 BPM | ||
España, Op. 165: 2. Tango | Isaac Albéniz, Alicia de Larrocha | D Major | 0 | 10B | 133 BPM | ||
Serse, HWV 40: Ombra mai fu | George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 1 | 12B | 135 BPM | ||
Diverse bizzarrie sopra la Vecchia Sarabanda ò pur Ciaccona | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 3 | 1B | 79 BPM | ||
Romance in F major, Op. 50 | Ludwig van Beethoven, Karol Teutsch, Orchestre de chambre Leopoldinum de Wroclaw | D Major | 2 | 10B | 96 BPM | ||
Sibelius: Valse triste, Op. 44 | Jean Sibelius, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 102 BPM | ||
Songs of the Auvergne, Book I: 2. Baïlèro | Joseph Canteloube, Sara Macliver, Brett Kelly, Queensland Symphony Orchestra | B♭ Major | 1 | 6B | 92 BPM |
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