Marin Marais, Concentus Musicus Wien, Nikolaus Harnoncourt made "Suite from "alcyone": Ⅴ. Tambourin I and Ⅱ" available on July 1, 2022. With Suite from "alcyone": Ⅴ. Tambourin I and Ⅱ being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Concentus Musicus Wien, Nikolaus Harnoncourt's "Marais / Couperin / Hotteterre" album is number 5 out of 20. On top of that, Germany appears to be the country where this track was created. Suite from "alcyone": Ⅴ. Tambourin I and Ⅱ is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite from "alcyone": Ⅴ. Tambourin I and Ⅱ by Marin Marais, Concentus Musicus Wien, Nikolaus Harnoncourt to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 1 in D Minor: I. Adagio | Élisabeth Jacquet de La Guerre, David Plantier, Daniela Dolci | D♭ Minor | 1 | 12A | 125 BPM | ||
[Suite en la majeur]: VIII. 2e Menuet (No. 24) & Double (No. 25) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 85 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: III. [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | A♭ Minor | 3 | 1A | 73 BPM | ||
Lachrimae Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 115 BPM | ||
Ariane et Bacchus, Prologue: Récit. J'aime vos soins, j'approuve votre zèle | Marin Marais, Marie Perbost, Véronique Gens, Philippe Estèphe, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | E Major | 2 | 12B | 88 BPM | ||
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
In Nomine No. 2 | William Byrd, The Rose Consort Of Viols | F♯ Minor | 1 | 11A | 108 BPM |
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