- BPM
- 99
- Key
- D Minor
- Camelot
- 7A
La Pasión según San Mateo, BWV 244: No. 54, O Haupt voll Blut und Wunden - Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín Information
- Acousticness
- 96%
- Danceability
- 21%
- Energy
- 30%
- Instrumentalness
- 21%
- Liveness
- 13%
- Loudness
- 71%
- Speechiness
- 3%
- Valence
- 16%
- Popularity
- 3%
- Loudness
- -17.621 dB
Summary
"La Pasión según San Mateo, BWV 244: No. 54, O Haupt voll Blut und Wunden" by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín was released on March 22, 1981. With La Pasión según San Mateo, BWV 244: No. 54, O Haupt voll Blut und Wunden being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 10 in Bach: La Pasión según San Mateo, BWV 244 (Selección) by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín. In terms of popularity, La Pasión según San Mateo, BWV 244: No. 54, O Haupt voll Blut und Wunden is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Pasión según San Mateo, BWV 244: No. 54, O Haupt voll Blut und Wunden BPM
The tempo marking of La Pasión según San Mateo, BWV 244: No. 54, O Haupt voll Blut und Wunden by Orquesta de Cámara de Berlín, Karl Grossmann, Coros de Cámara de Berlín is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
La Pasión según San Mateo, BWV 244: No. 54, O Haupt voll Blut und Wunden Key
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Offertorium: Domine Jesu | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | G Minor | 1 | 6A | 83 BPM | |
 | Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | |
 | Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | |
 | Albinoni: Concerto a cinque in C Major, Op. 10 No. 3: II. Adagio | Tomaso Albinoni, Claudio Scimone, Piero Toso, I Solisti Veneti | A Minor | 2 | 8A | 86 BPM | |
 | Oboe Concerto in C Major: II. Allegro (Arr. by Benjamin) | Domenico Cimarosa, Heinz Holliger, Bamberg Symphony, Peter Maag | G Major | 2 | 9B | 108 BPM | |
 | Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 10, Chorus. "Awake the Harp" (Chorus) | Joseph Haydn, Sir Simon Rattle, City of Birmingham Symphony Chorus, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | |
 | Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM | |
 | Der Fischer und das Milchmädchen: XIII. Molto moderato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | |
 | Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting | George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | D Major | 1 | 10B | 77 BPM | |
 | Miserere in C minor: Misere II | Thomas Hengelbrock | B Major | 1 | 1B | 104 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6248233318328857
End: 0.6293492317199707