"Album for the Young, Op. 39 (arr. R. Dubinsky for chamber orchestra): No. 23. At Church (A L'eglise)" by Pyotr Ilyich Tchaikovsky, Rostislav Dubinsky, Borodin Trio and Friends was released on May 1, 1985. The duration of Album for the Young, Op. 39 (arr. R. Dubinsky for chamber orchestra): No. 23. At Church (A L'eglise) is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Album for the Young, Op. 39 (arr. R. Dubinsky for chamber orchestra): No. 23. At Church (A L'eglise)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Tchaikovsky: Album for the Young, Op. 39". In this album, this song's track order is #48. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Album for the Young, Op. 39 (arr. R. Dubinsky for chamber orchestra): No. 23. At Church (A L'eglise)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Album for the Young, Op. 39 (arr. R. Dubinsky for chamber orchestra): No. 23. At Church (A L'eglise) by Pyotr Ilyich Tchaikovsky, Rostislav Dubinsky, Borodin Trio and Friends having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 0 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): Dance of the Knights | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 1 | 8B | 97 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer | Niccolò Paganini, Scott St. John, Simon Wynberg | A Minor | 2 | 8A | 147 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 14, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 78 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Minkus: Don Quixote, Act 3: II. Adage | Ludwig Minkus, Robert Irving, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 57 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Liebesfreud | Fritz Kreisler, Joshua Bell, Paul Coker | F Major | 1 | 7B | 99 BPM |
Section: 0.6354775428771973
End: 0.6412444114685059