"Poulenc: 3 Mouvements perpétuels, FP 14: II. Très modéré" by Francis Poulenc, Kun-Woo Paik was released on 1991. With Poulenc: 3 Mouvements perpétuels, FP 14: II. Très modéré being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in "Clair de Lune" - French Piano Music, so we believe that "Poulenc: 3 Mouvements perpétuels, FP 14: II. Très modéré" is a single. Based on our statistics, Poulenc: 3 Mouvements perpétuels, FP 14: II. Très modéré's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Poulenc: 3 Mouvements perpétuels, FP 14: II. Très modéré by Francis Poulenc, Kun-Woo Paik is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: III. Gagliarda | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 97 BPM | ||
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Les animaux modèles Suite, FP 111: VI. Le repas de midi | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
6 Consolations, S. 172: No. 2 in E Major (Un Poco Più Mosso) | Franz Liszt, Daniel Barenboim | B Major | 0 | 1B | 69 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: I. Balletto Detto 'Il Conte Orlando' | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 125 BPM | ||
Le Bal Masqué - Poèmes de Max Jacob: 6. Finale | Francis Poulenc, Francois Le Roux, Pascal Rogé, Soloistes De L'Orchestre National De France, Charles Dutoit | B♭ Major | 7 | 6B | 120 BPM |
Section: 0.641049861907959
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