"Götterdämmerung, Act III: VIII. Siegfrieds Trauermusik" by Wilhelm Furtwängler was released on May 31, 2000. Since Götterdämmerung, Act III: VIII. Siegfrieds Trauermusik is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Götterdämmerung by Wilhelm Furtwängler. The song's track number on the album is #2 out of 35 tracks. Based on our statistics, Götterdämmerung, Act III: VIII. Siegfrieds Trauermusik's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Götterdämmerung, Act III: VIII. Siegfrieds Trauermusik by Wilhelm Furtwängler has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Götterdämmerung, Act III: VIII. Siegfrieds Trauermusik being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dream Outro | Philip Yoo | A Major | 1 | 11B | 67 BPM | ||
Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
Samson et Dalila, Op. 47: Act II: Prelude | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Siegfried, Act III: VII. "Dort seh' ich Grane" (Brünnhilde) | Wilhelm Furtwängler | A♭ Major | 4 | 4B | 86 BPM | ||
Symphony No.4, in B-Flat Major, Op.60, ILB 275: IV. Allegro ma non troppo - 1999 Remastered Version | Ludwig van Beethoven, Berliner Philharmoniker, Wilhelm Furtwängler | B♭ Major | 4 | 6B | 68 BPM | ||
Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique | Benjamin Britten, Ensemble Allegria | A Minor | 0 | 8A | 83 BPM | ||
Divertissement, Vorstellungen 1803: No. 5, Marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Allegro frenetico: quasi doppio movimento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | E Minor | 1 | 9A | 102 BPM | ||
交響曲 第40番 K.550~第3楽章 | リボル・ペシェック, Czech National Symphony Orchestra | G Major | 1 | 9B | 153 BPM | ||
8 Slavonic Dances, Op. 46: No. 3 in A-Flat | Antonín Dvořák, Berliner Philharmoniker, Wilhelm Furtwängler | D Major | 1 | 10B | 91 BPM |
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