Robert de Visée, Manuel Barrueco's 'De Visée: Livre de pièces pour la guitare, Suite No. 11 en si mineur: V. Passacaille' came out on 1990. With this song being about 5 minutes long, at 4:42, "De Visée: Livre de pièces pour la guitare, Suite No. 11 en si mineur: V. Passacaille" by Robert de Visée, Manuel Barrueco is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Manuel Barrueco's "Manuel Barrueco Plays Bach & De Visée" album is number 6 out of 14. On top of that, Germany appears to be the country where this track was created. The popularity of De Visée: Livre de pièces pour la guitare, Suite No. 11 en si mineur: V. Passacaille is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of De Visée: Livre de pièces pour la guitare, Suite No. 11 en si mineur: V. Passacaille by Robert de Visée, Manuel Barrueco to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavan | Orlando Gibbons, The Rose Consort Of Viols | F♯ Major | 1 | 2B | 79 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Toccata in G Minor (Arr. E. Netzer for Harp) | Alessandro Scarlatti, Elisa Netzer | C Minor | 1 | 5A | 100 BPM | ||
Fantasia I | Luis de Milán, Shirley Rumsey | G Minor | 0 | 6A | 112 BPM | ||
Cecchina (Corrente) | Bellerofonte Castaldi, Evangelina Mascardi | D Minor | 1 | 7A | 90 BPM | ||
Courante: Corante | Robert Ballard, Joachim Held | A Major | 2 | 11B | 165 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Duets for 2 Lutes in a minor and F Major (Losy) - Sarabande | Edward Martin and Paul Berget | E Major | 0 | 12B | 143 BPM |
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