Arrigo Boito, Riccardo Muti's 'Mefistofele: Epilogue - Ecco la nuova turba' came out on 1996. The duration of Mefistofele: Epilogue - Ecco la nuova turba is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Mefistofele: Epilogue - Ecco la nuova turba's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 34 in Boito: Mefistofele by Arrigo Boito, Riccardo Muti. Mefistofele: Epilogue - Ecco la nuova turba is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mefistofele: Epilogue - Ecco la nuova turba by Arrigo Boito, Riccardo Muti is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Child of our Time, Part I: I have no money for my bread (Tenor) | Michael Tippett, Joshua Stewart, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Norma / Act 2: Si, fino all'ore estreme | Vincenzo Bellini, Dame Joan Sutherland, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 2 | 5B | 115 BPM | ||
Don Giovanni, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Simon Keenlyside, Matti Salminen, Bryn Terfel, Chamber Orchestra of Europe, Claudio Abbado, Coro Di Ferrara Musica | B♭ Major | 2 | 6B | 80 BPM | ||
L'elisir d'amore / Act 2: "Quanto amore!" - "Una tenera occhiatina" | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, English Chamber Orchestra, Richard Bonynge | E Major | 2 | 12B | 104 BPM | ||
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM | ||
La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
La Verbena de la Paloma, Act I: Linda Susana (Hilarión, Casta, Susana, Julián, Rita) | Tomás Bretón, Rafael Castejon, Silvia Tro, Maria Bayo, Plácido Domingo, Raquel Pierotti, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | E♭ Major | 2 | 5B | 80 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): V. Green | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F♯ Major | 1 | 2B | 89 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM |
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