"Mozart: Idomeneo, K. 366, Act 2: "Se il padre perdei" (Ilia)" by Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields was released on April 17, 2024. Since Mozart: Idomeneo, K. 366, Act 2: "Se il padre perdei" (Ilia) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 141 in the song's album "The Distinguished Conductor". In this album, this song's track order is #57. Furthermore, we believe that the track originated from United Kingdom. Mozart: Idomeneo, K. 366, Act 2: "Se il padre perdei" (Ilia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mozart: Idomeneo, K. 366, Act 2: "Se il padre perdei" (Ilia) by Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Così fan tutte, K. 588: Act 1: "Abbraciami, Idol Mio" - Quintetto "Di Scrivermi Ogni Giorno" - Coro "Bella Vita Militar!" / Sc. 6 - Recitativo "Dove Son?" | Wolfgang Amadeus Mozart, Concerto Köln, Bernarda Fink, Pietro Spagnoli, Véronique Gens, Marcel Boone, Werner Güra, Kölner Kammerchor, René Jacobs | F Major | 0 | 7B | 81 BPM | ||
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
The Magic Flute, Act I: Such loveliness beyond compare | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Barry Banks, Majella Cullagh, Sarah Fox, Diana Montague | E♭ Major | 2 | 5B | 131 BPM | ||
Exsultate, Jubilate, K. 165: Alleluia | Camerata Cassovia, Priti Coles, Anonymous, Wolfgang Amadeus Mozart | F Major | 2 | 7B | 122 BPM | ||
Te Deum in D Major "Dettingen", HWV 283: Dignare o Domine | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 109 BPM | ||
Cherubini: Medea, Act 1: "Che? Quando gia corona Amor" (Maids, Chorus, Glauce) | Luigi Cherubini, Lidia Morimpietri, Elvira Galassi, Coro del Teatro alla Scala di Milano, Renata Scotto, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Elvira Galassi, Lidia Morimpietri, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | B♭ Major | 1 | 6B | 133 BPM | ||
Der Favorit: Du sollst der Kaiser meiner Seele sein (Grünbaum & Sterk) | Robert Stolz, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Il barbiere di Siviglia / Act 1: "All'idea di quel metallo" - "Evviva il mio padrone!" (Figaro, Conte /Fiorello) | Gioachino Rossini, Renato Capecchi, Nicola Monti, Giorgio Giorgetti, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | G Major | 3 | 9B | 68 BPM | ||
Così fan tutte, K. 588 / Act II: "Fra gli amplessi in pochi istanti" | Wolfgang Amadeus Mozart, Miah Persson, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 0 | 6B | 72 BPM |
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