Maurice Yvain, Les Frivolités Parisiennes, Sandrine Buendia, Guillaume Durand, Léovanie Raud, Amélie Tatti, Norma Nahoun, Aurélien Gasse made "Yes!, Act II: No. 15, Sextuor du thé" available on March 22, 2024. The duration of Yes!, Act II: No. 15, Sextuor du thé is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Yes!, Act II: No. 15, Sextuor du thé's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Maurice Yvain, Les Frivolités Parisiennes's "Maurice Yvain: Yes!" album is number 32 out of 52. On top of that, France appears to be the country where this track was created. Yes!, Act II: No. 15, Sextuor du thé is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Yes!, Act II: No. 15, Sextuor du thé by Maurice Yvain, Les Frivolités Parisiennes, Sandrine Buendia, Guillaume Durand, Léovanie Raud, Amélie Tatti, Norma Nahoun, Aurélien Gasse to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces for Strings from "Henry V": No. 2, Touch Her Soft Lips and Part | William Walton, Louis Lane, Cleveland Pops Orchestra | C Major | 2 | 8B | 54 BPM | ||
Yes!, Act I: No. 3, La profession de foi | Maurice Yvain, Les Frivolités Parisiennes, Matthieu Dubroca | F Major | 1 | 7B | 83 BPM | ||
En Alma Y En Cuerpo | Sirenas Celestiales | E♭ Minor | 1 | 2A | 165 BPM | ||
Active Beehive | Alyssa Roscoe | C Major | 1 | 8B | 96 BPM | ||
La Viejecita: Preludio | Orquesta De Camara De Madrid | D Major | 1 | 10B | 135 BPM | ||
Tableau 4 | Serge Baudo, Orchestre du Théâtre National de l'Opéra | A Major | 0 | 11B | 87 BPM | ||
Variation 3: I. Andante Lunara | Matthew Slater, London Metropolitan Orchestra | E♭ Major | 2 | 5B | 71 BPM | ||
Fisher’s Hornpipe (Arr. C. McTee & F. Slatkin for Orchestra) | Traditional, The Manhattan School of Music Symphony Orchestra, Leonard Slatkin | D Major | 4 | 10B | 74 BPM | ||
Tout est noir je suis noir | Maurice Yvain, Jacques Henri Rys, Orchestre De Jacques-Henri Rys, Maurice Chevalier, Françoise Dorin, Marina Hottine, Romeo Carles, Marthe Serres, Suzanne Gabriello, Simone Lemaitre, Robert Destain, Andre Balbon, Ione Claire, Denise Maricot, Ludmilla Revensky, Perrette Souplex | D Major | 4 | 10B | 72 BPM | ||
Melodies of the Heart, Op. 5: No. 3, I Love But Thee (Arr. A. Harris for Orchestra) - Dig elsker jeg! (Thee, I Love!) | Edvard Grieg, Andre Kostelanetz, Columbia Symphony Orchestra | D Major | 3 | 10B | 87 BPM |
Section: 0.6055214405059814
End: 0.6090099811553955