Johann Sebastian Bach, Maurice André, Fritz Werner, Pforzheim Chamber Orchestra's 'Bach, JS: Wachet! Betet! Betet! Wachet!, BWV 70: No. 1, Chor. "Wachet! Betet! Betet! Wachet!!"' came out on August 24, 2010. With this song being about 5 minutes long, at 4:39, "Bach, JS: Wachet! Betet! Betet! Wachet!, BWV 70: No. 1, Chor. "Wachet! Betet! Betet! Wachet!!"" by Johann Sebastian Bach, Maurice André, Fritz Werner, Pforzheim Chamber Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Maurice André, André Jolivet, Louis de Froment, Orchestre de l'Association des Concerts Lamoureux, Radio-Luxembourg Chamber Orchestra's "Maurice André Edition - Volume 3 (2009 REMASTERED)" album is number 99 out of 104. On top of that, France appears to be the country where this track was created. Based on our statistics, Bach, JS: Wachet! Betet! Betet! Wachet!, BWV 70: No. 1, Chor. "Wachet! Betet! Betet! Wachet!!"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bach, JS: Wachet! Betet! Betet! Wachet!, BWV 70: No. 1, Chor. "Wachet! Betet! Betet! Wachet!!" by Johann Sebastian Bach, Maurice André, Fritz Werner, Pforzheim Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Oboe Concerto in F Major, Op. 7, No. 9: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 1 | 7B | 164 BPM | ||
Violin Concerto in D Major, RV 228: I. Allegro non troppo ma vigoroso | Antonio Vivaldi, Marco Fornaciari, Accademia I Filarmonici, Alberto Martini | D Major | 2 | 10B | 123 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Concerto No. 5 In D Major BWV1050 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM |
Section: 0.5795366764068604
End: 0.5852582454681396