Wolfgang Amadeus Mozart, Samuel Ramey/Cheryl Studer/Carol Vaness/Frank Lopardo/Susanne Mentzer/Natale de Carolis/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker made "Mozart: Don Giovanni, K. 527, Act 2 Scene 8: "Mille torbidi pensieri" (Leporello, Donna Anna, Zerlina, Donna Elvira, Don Ottavio, Masetto)" available on October 31, 1988. The duration of Mozart: Don Giovanni, K. 527, Act 2 Scene 8: "Mille torbidi pensieri" (Leporello, Donna Anna, Zerlina, Donna Elvira, Don Ottavio, Masetto) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Mozart: Don Giovanni, K. 527, Act 2 Scene 8: "Mille torbidi pensieri" (Leporello, Donna Anna, Zerlina, Donna Elvira, Don Ottavio, Masetto)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 28 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mozart: Don Giovanni, K. 527, Act 2 Scene 8: "Mille torbidi pensieri" (Leporello, Donna Anna, Zerlina, Donna Elvira, Don Ottavio, Masetto)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Mozart: Don Giovanni, K. 527, Act 2 Scene 8: "Mille torbidi pensieri" (Leporello, Donna Anna, Zerlina, Donna Elvira, Don Ottavio, Masetto) by Wolfgang Amadeus Mozart, Samuel Ramey/Cheryl Studer/Carol Vaness/Frank Lopardo/Susanne Mentzer/Natale de Carolis/Wiener Philharmoniker/Riccardo Muti, Riccardo Muti, Wiener Philharmoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata / Act 2: "Ah! Dite alla giovine" | Giuseppe Verdi, Ileana Cotrubas, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 89 BPM | ||
Verdi: Aida, Act 1: "Alta cagion v'aduna" (Il Re, Messaggero, Radamès, Ramfis, Sacerdoti, Ministri, Capitani, Aida, Amneris) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | C Major | 3 | 8B | 88 BPM | ||
Madama Butterfly / Act 1: Sorride Vostro Onore? | Giacomo Puccini, Christa Ludwig, Luciano Pavarotti, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 105 BPM | ||
Die Fledermaus / Act 2: Nr.8 Ensemble und Couplet: "Ach, meine Herr'n und Damen" | Johann Strauss II, Erika Köth, Regina Resnik, Walter Berry, Waldemar Kmentt, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 88 BPM | ||
Die Zauberflöte / Act 1: "Herr, ich bin zwar Verbrecherin" | Wolfgang Amadeus Mozart, Ruth Ziesak, Kurt Moll, Heinz Zednik, Uwe Heilmann, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 93 BPM | ||
Die Walküre / Erster Aufzug: "Friedmund darf ich nicht heißen" | Richard Wagner, James King, Gottlob Frick, Régine Crespin, Wiener Philharmoniker, Sir Georg Solti | G Minor | 1 | 6A | 100 BPM | ||
Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 2 | 8B | 122 BPM | ||
Carmen, Act II: No.16 Chanson : Halte-là! Qui va là? (Don José/Carmen/Frasquita/Mercédès/Le Dancaïro/Le Remendado) | Georges Bizet, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Minor | 1 | 12A | 91 BPM | ||
La Cenerentola / Act 2: Dunque non siam burlate? | Gioachino Rossini, Gloria Banditelli, Fernanda Costa, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio) | Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker | C Major | 2 | 8B | 106 BPM |
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