Jan Pieterszoon Sweelinck, Lee Santana's 'Volte' came out on January 1, 2009. With Volte being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 70 in the song's album "Sweelinck, J.P.: Vocal Music (The Secular Vocal Works - Chansons, Italian Rimes and Madrigals, French Rimes)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Spain. In terms of popularity, Volte is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Volte by Jan Pieterszoon Sweelinck, Lee Santana having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marienvesper - 1. Versus. Ave maris stella | Chiara Margarita Cozzolani, Orlando di Lasso Ensemble, Detlef Bratschke | A Minor | 1 | 8A | 76 BPM | ||
Drei motetten, Op. 110: I. Ich aber bin elend | Johannes Brahms, Tenebrae, Nigel Short | G Major | 2 | 9B | 83 BPM | ||
Canzon 19 a 8 | Giovanni Picchi, Flanders Recorder Quartet, Viola da Gamba Consort, Guy Penson | A♭ Major | 1 | 4B | 81 BPM | ||
Gibbons: The Silver Swan | The Tallis Scholars, Peter Phillips | E Major | 0 | 12B | 71 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Prima die Lectio prima: VI. Gimel | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 0 | 11A | 77 BPM | ||
Psalm 23 | Jan Pieterszoon Sweelinck, Netherlands Chamber Choir, Philippe Herreweghe | F Major | 2 | 7B | 67 BPM | ||
XXII. Er ist das Heil und selig Licht | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Geistliche und weltliche Lieder: XIV, Wohl dem, der den Herren fürchtet | Leonard Lechner, Kristen Witmer, Daniel Schreiber, Raphael Höhn, Wolf Matthias Friedrich, Capricornus Ensemble Stuttgart, Henning Wiegrabe | E♭ Major | 2 | 5B | 96 BPM |
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