- BPM
- 66
- Key
- B Minor
- Camelot
- 10A
Romances, L. 79: Romance No. 1 - Claude Debussy, Luigi Puxeddu, Jolanda Violante Information
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 1%
- Instrumentalness
- 97%
- Liveness
- 7%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 18%
- Loudness
- -24.684 dB
Summary
"Romances, L. 79: Romance No. 1" by Claude Debussy, Luigi Puxeddu, Jolanda Violante was released on 2012. The duration of Romances, L. 79: Romance No. 1 is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Romances, L. 79: Romance No. 1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 17 in Debussy: Violin Sonata, Cello Sonata, Piano Trio by Various Artists, Claude Debussy, Trio Stradivari. Romances, L. 79: Romance No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Romances, L. 79: Romance No. 1 BPM
The tempo marking of Romances, L. 79: Romance No. 1 by Claude Debussy, Luigi Puxeddu, Jolanda Violante is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Romances, L. 79: Romance No. 1 Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serenade in E Minor, Op. 20: II. Larghetto | Edward Elgar, Wales Camerata, Owain Arwel Hughes | C Major | 0 | 8B | 75 BPM | |
 | 6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | |
 | Carmen, fantasie brillante, Op. 3, No. 3: Andante moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | B Minor | 2 | 10A | 122 BPM | |
 | Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | |
 | Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | |
 | Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | |
 | Etude-fantasie in E-Flat Major, Op. 4, "Les Vagues" | Vladimir Horowitz, Valery Kuleshov | G Minor | 1 | 6A | 67 BPM | |
 | Debussy: Piano Trio in G Major, L. 5: IV. Finale - Appassionato | Claude Debussy, Bertrand Chamayou | F Minor | 2 | 4A | 109 BPM | |
 | String Quartet No. 13 in B-Flat Major, Op. 130: V. Cavatina. Adagio molto espressivo | Ludwig van Beethoven, Miró Quartet | E♭ Major | 0 | 5B | 110 BPM | |
 | Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5495245456695557
End: 0.552844762802124