- BPM
- 75
- Key
- E♭ Minor
- Camelot
- 2A
Symphony No.3 in E flat, Op.97 - "Rhenish": 4. Feierlich - Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini Information
- Acousticness
- 97%
- Danceability
- 13%
- Energy
- 7%
- Instrumentalness
- 91%
- Liveness
- 10%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -19.674 dB
Summary
"Symphony No.3 in E flat, Op.97 - "Rhenish": 4. Feierlich" by Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini was released on January 1, 1982. Symphony No.3 in E flat, Op.97 - "Rhenish": 4. Feierlich is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Schumann: Symphony No.3 In E Flat Major "Rhenish", Op. 97;"Manfred" Overture, Op. 115". In this album, this song's track order is #4. Symphony No.3 in E flat, Op.97 - "Rhenish": 4. Feierlich is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Symphony No.3 in E flat, Op.97 - "Rhenish": 4. Feierlich BPM
With Symphony No.3 in E flat, Op.97 - "Rhenish": 4. Feierlich by Robert Schumann, Los Angeles Philharmonic, Carlo Maria Giulini having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Symphony No.3 in E flat, Op.97 - "Rhenish": 4. Feierlich Key
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rhapsody on a Theme of Paganini, Op. 43: Var. 12. Tempo di minuetto | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 97 BPM | |
 | Symphony No. 3 in D Minor: Part II, VI. Tempo I | Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic | D Major | 1 | 10B | 71 BPM | |
 | Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | |
 | Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | E♭ Minor | 3 | 2A | 60 BPM | |
 | Liederkreis Op. 24: No. 7, Berg und Burgen schau'n herunter | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | A Major | 0 | 11B | 112 BPM | |
 | Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | B♭ Major | 3 | 6B | 93 BPM | |
| Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | |
 | Pictures At An Exhibition: The Great Gate Of Kiev | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | E♭ Major | 2 | 5B | 58 BPM | |
 | Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | |
 | Symphony No.4 In G: 2. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Cleveland Orchestra, Pierre Boulez, William Preucil | C Major | 0 | 8B | 129 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7399773597717285
End: 0.7440392971038818