Manuel Barrueco made "Cirandas, W220: No. 14, A Canoa Virou" available on May 10, 2019. The duration of Cirandas, W220: No. 14, A Canoa Virou is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Cirandas, W220: No. 14, A Canoa Virou's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Manuel Barrueco, Konrad Ragossnig, Walter Feybi's "Latin Guitar Festival" album is number 24 out of 24. On top of that, France appears to be the country where this track was created. Cirandas, W220: No. 14, A Canoa Virou is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Cirandas, W220: No. 14, A Canoa Virou by Manuel Barrueco to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
25 Etudes, Op. 38: No. 11 in G Major | Napoléon Coste, Jeffrey McFadden | G Major | 1 | 9B | 101 BPM | ||
Suite del Plata, No. 1: Milonga | Maximo Diego Pujol, Victor Villadangos | D Minor | 0 | 7A | 114 BPM | ||
5 Bagatelles: II. Lento | William Walton, Ana Vidovic | G Minor | 0 | 6A | 111 BPM | ||
Albéniz: Suite española No. 1, Op. 47: VI. Aragón (Fantasia). Allegro (Arr. Manuel Barrueco) | Isaac Albéniz, Manuel Barrueco | D Minor | 1 | 7A | 131 BPM | ||
Schwanengesang, D. 957: No. 5. Aufenthalt (Delay) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | E Minor | 2 | 9A | 136 BPM | ||
De Visée: Livre de pièces pour la guitare, Suite No. 11 en si mineur: V. Passacaille | Robert de Visée, Manuel Barrueco | F♯ Minor | 0 | 11A | 174 BPM | ||
Piazzolla: L'histoire du tango: III. Night-Club 1960 | Astor Piazzolla, Manuel Barrueco | F♯ Minor | 1 | 11A | 125 BPM | ||
Carcassi Op.60 N.7 Allegro | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 144 BPM | ||
Invierno Porteño | Manuel Barrueco | D Minor | 0 | 7A | 107 BPM | ||
Standchen (Serenade) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | C Major | 0 | 8B | 132 BPM |
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