Nicol Matt, Martina Rotbauer, Johann Sebastian Bach, Heike Hümmer, Jörg Halobek, Ute Petersilge, Jens Wollenschläger, Nordic Chamber Choir, Soloists Of The Freiburger Barockorchester, Robert Sagasser's 'Herr, Wie Du Willst, So Schick's Mit Mir Cantate Bwv 156' came out on March 28, 2007. With Herr, Wie Du Willst, So Schick's Mit Mir Cantate Bwv 156 being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 25 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Herr, Wie Du Willst, So Schick's Mit Mir Cantate Bwv 156 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Herr, Wie Du Willst, So Schick's Mit Mir Cantate Bwv 156 by Nicol Matt, Martina Rotbauer, Johann Sebastian Bach, Heike Hümmer, Jörg Halobek, Ute Petersilge, Jens Wollenschläger, Nordic Chamber Choir, Soloists Of The Freiburger Barockorchester, Robert Sagasser is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in D Major, (G. 2): II. Grave | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | E Major | 0 | 12B | 76 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Kyrie | Chamber Choir Of Europe, Eibe Möhlmann, Reinhard Geller, Christof Fischesser, Daniel Sans, Anton Bruckner, Württembergische Philharmonie Reutlingen, Isabelle Müller-Kant, Nicol Matt | G Minor | 1 | 6A | 70 BPM | ||
Elias, Op. 70: Part II: Wer bis an das Ende beharrt (No. 32 Chorus) | Felix Mendelssohn, Karl-Friedrich Beringer | D Major | 3 | 10B | 100 BPM | ||
Der Herr ist mein getreuer Hirt, P81 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
Deus, sancta trinitas, Op. 28 : II. Andantino | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Was ist das Herz? Ein finst'rer Ort, TWV 1:1516: No. 2, Erleuchte mich, o segenvolles Licht | Georg Philipp Telemann, Bergen Barokk | F♯ Minor | 2 | 11A | 115 BPM | ||
Sonata in E Minor, Kk. 98 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Sonata No. 7 in F Major: III. Allegro spiritoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | G Major | 4 | 9B | 82 BPM | ||
Deitatis Majestatem: I. Deitatis Majestatem | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, André Morsch | C Minor | 2 | 5A | 75 BPM |
Section: 0.6866743564605713
End: 0.6906137466430664