"Piano Concerto in G Major, M. 83: II. Adagio assai" by Maurice Ravel, Javier Perianes, Orchestre de Paris, Josep Pons was released on November 29, 2019. Since Piano Concerto in G Major, M. 83: II. Adagio assai is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Ravel: Concerto en sol, Le Tombeau de Couperin & Alborada del gracioso". In this album, this song's track order is #9. Furthermore, we believe that the track originated from France. Based on our statistics, Piano Concerto in G Major, M. 83: II. Adagio assai's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Javier Perianes, Orchestre de Paris, Josep Pons having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: III. Allegro con fuoco | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Minor | 4 | 8A | 128 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Javier Perianes, Orchestre de Paris, Josep Pons | E Major | 0 | 12B | 129 BPM | ||
Ravel: Jeux d'eaux, M. 30 | Maurice Ravel, Monique Haas | A♭ Major | 2 | 4B | 78 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Lucienne Renaudin Vary, Bill Elliott, BBC Concert Orchestra | E Minor | 1 | 9A | 87 BPM | ||
6 Romanian Folk Dances, BB 68, Sz. 56: 4. Dance from Bucsum (Arr. Campbell) | Béla Bartók, Nicola Benedetti, Benedetti Foundation Orchestra, Natalia Luis-Bassa | D Major | 2 | 10B | 83 BPM | ||
2 Arabesques, L. 66: I. Andantino con moto in E Major | Claude Debussy, Hélène Grimaud | A Major | 3 | 11B | 161 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM |
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