"Ars moriendi: VII. Third Lament" by Steven Mackey, Borromeo String Quartet was released on September 1, 2017. Ars moriendi: VII. Third Lament is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Speak Like the People, Write Like the King". In this album, this song's track order is #7. Based on our statistics, Ars moriendi: VII. Third Lament's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ars moriendi: VII. Third Lament by Steven Mackey, Borromeo String Quartet having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lonely Motel: Music from Slide: She Walks | Steven Mackey, Rinde Eckert, eighth blackbird | F♯ Minor | 1 | 11A | 144 BPM | ||
Oration, Concerto elegiaco, H. 180: I. Poco lento – Lento e ritmico | Frank Bridge, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | C Major | 0 | 8B | 81 BPM | ||
ひとり好き | Tomoki Kikuya | F Major | 0 | 7B | 168 BPM | ||
Renato Di Prinzio: Iphigenia's Fate (Instrumental) | Renato Di Prinzio | A♭ Major | 2 | 4B | 105 BPM | ||
Schwanengesang, D. 957: No. 13, Der Doppelgänger (Arr. for Cello & Piano by Timothy Jones) | Franz Schubert, Josephine Knight, Simon Crawford-Phillips | E Major | 0 | 12B | 115 BPM | ||
Sonate für Flöte und Klavier: II. Sehr langsam | Paul Hindemith, Stathis Karapanos, Christopher Park | G Major | 0 | 9B | 113 BPM | ||
Espressivo | Ingo Höricht, Michael Berger | B Major | 1 | 1B | 79 BPM | ||
Ending Happy Maybe | Snowdn | F Major | 0 | 7B | 153 BPM | ||
Loose Canons I | David Claman, Steven Mackey, Matthew Wuolle, Mark Zaki | B♭ Major | 0 | 6B | 63 BPM | ||
Minipulsars, Pt. 2: Bing 4 | Tomasz Trzcinski | D Minor | 3 | 7A | 82 BPM |
Section: 0.7159242630004883
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