Frédéric Chopin, Timo Korhonen made "Nocturne No.2 Op.9" available on January 1, 1997. Nocturne No.2 Op.9 is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 2 out of 19 in Chopin, Llobet by Timo Korhonen. Going off of the ISRC code of this track, we detected that the origin of this track is from Finland. In terms of popularity, Nocturne No.2 Op.9 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Nocturne No.2 Op.9 by Frédéric Chopin, Timo Korhonen is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegia por la muerte de un tanguero (Elegy for the Death of a Tango Player): II. Melancolia | Maximo Diego Pujol, Ricardo Cobo | D Minor | 0 | 7A | 77 BPM | ||
Petite suite, L65: En bateau | Claude Debussy, Lestari Scholtes, Gwylim Janssens | G Major | 0 | 9B | 67 BPM | ||
Abdelazar Suite, Z. 570: II. Rondo (arr. B. Kanengiser) | Henry Purcell, Bill Kanengiser, Los Angeles Guitar Quartet | D Minor | 1 | 7A | 92 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Carcassi Op.60 N.8 Moderato | Matteo Carcassi, Lucio Matarazzo | E Major | 3 | 12B | 171 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 22 in E Minor | Fernando Sor, Timo Korhonen | B Minor | 0 | 10A | 48 BPM | ||
Solomon, HWV 67, Act III: Sinfonia, "Arrival of the Queen of Sheba" (arr. J. Dearman) | George Frideric Handel, John Dearman, Los Angeles Guitar Quartet | E Major | 2 | 12B | 107 BPM | ||
La Frontera de Dios: III. Idilio | Regino Sáinz de la Maza, Franz Halász | B Major | 1 | 1B | 110 BPM | ||
Sor: 6 Airs choisis de l'opéra de Mozart "Il flauto magico", Op. 19: No. 1, Marche religieuse | Fernando Sor, Manuel Barrueco | C Major | 0 | 8B | 97 BPM |
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