Fernando Sor, Manuel Barrueco's 'Sor: 6 Airs choisis de l'opéra de Mozart "Il flauto magico", Op. 19: No. 1, Marche religieuse' came out on 1988. The duration of Sor: 6 Airs choisis de l'opéra de Mozart "Il flauto magico", Op. 19: No. 1, Marche religieuse is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Sor: 6 Airs choisis de l'opéra de Mozart "Il flauto magico", Op. 19: No. 1, Marche religieuse's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Manuel Barrueco's "Manuel Barrueco plays Mozart & Sor" album is number 5 out of 18. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Sor: 6 Airs choisis de l'opéra de Mozart "Il flauto magico", Op. 19: No. 1, Marche religieuse is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Sor: 6 Airs choisis de l'opéra de Mozart "Il flauto magico", Op. 19: No. 1, Marche religieuse by Fernando Sor, Manuel Barrueco to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guitar Sonata No. 3: I. Allegro moderato | Manuel Ponce, Pablo Garibay | E Minor | 0 | 9A | 125 BPM | ||
12 Concertos, Op.3 - "L'estro Armonico" / Concerto No. 6 In A Minor For Solo Violin, RV 356: 1. Allegro | Antonio Vivaldi, Angel Romero, Academy of St. Martin in the Fields, Iona Brown | A Minor | 3 | 8A | 108 BPM | ||
Guitar Quintet No. 7 in E Minor, G. 451: I. Allegro moderato | Luigi Boccherini, José Miguel Moreno, La Real Cámara | E♭ Minor | 1 | 2A | 118 BPM | ||
Rosita, Polka | Philip Hemmo | D Major | 2 | 10B | 77 BPM | ||
Keyboard Sonata in G Major, K.14/L.387/P.70 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | G Major | 1 | 9B | 120 BPM | ||
6 Etudes: Leccion No. 15 | Norbert Kraft | G Major | 0 | 9B | 114 BPM | ||
Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene | Mario Castelnuovo-Tedesco, Andrea de Vitis | A Minor | 0 | 8A | 178 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 88 BPM | ||
25 Etudes, Op. 38: No. 2 in C Major: Scherzando | Napoléon Coste, Jeffrey McFadden | E Minor | 1 | 9A | 90 BPM | ||
Guitar Concerto No. 1 in A major, Op. 30: 3. Alla polacca | Mauro Giuliani, Eduardo Fernandez, English Chamber Orchestra, George Malcolm | E Major | 1 | 12B | 110 BPM |
Section: 0.6975677013397217
End: 0.7017884254455566