"Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene" by Mario Castelnuovo-Tedesco, Andrea de Vitis was released on April 14, 2023. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 21 in Castelnuovo-Tedesco: Greeting Cards for Guitar by Mario Castelnuovo-Tedesco, Andrea de Vitis. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Greeting Cards, Op. 170: No. 14, Ninna Nanna, a Lullaby for Eugene by Mario Castelnuovo-Tedesco, Andrea de Vitis is Presto (very, very fast), since this song has a tempo of 178 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Whirler of the Dance: Dance | Bret Williams | A Minor | 2 | 8A | 99 BPM | ||
Cello Sonata in B-Flat Major, RV 46: II. Allegro (Arr. D. Russell) | Antonio Vivaldi, David Russell | F♯ Minor | 3 | 11A | 111 BPM | ||
Suite del recuerdo: II. Zamba | Jose Luis Merlin, Sebastian Caldas | E Minor | 1 | 9A | 73 BPM | ||
Barrios Mangoré: Las abejas | Agustín Barrios Mangoré, Thibaut García | F Major | 2 | 7B | 90 BPM | ||
The Frog Galliard, P. 23 (Arr. for Guitar & Mandolin) | John Dowland, Jens-Uwe Popp, Jochen Roß | G Major | 1 | 9B | 121 BPM | ||
Cançó i dansa, No. 13: I. Cançó | Federico Mompou, Marco Ramelli | A Minor | 0 | 8A | 79 BPM | ||
Eight Memories In Watercolor: VII. Floating Clouds | Tan Dun, Beijing Guitar Duo, Meng Su, Yameng Wang | B♭ Minor | 0 | 3A | 84 BPM | ||
Imaginario popular argentino (Popular Argentine Legends): IV. Velando al angelito (Holding a Wake for the Little Angel) | Marcelo Coronel, Victor Villadangos | A Major | 1 | 11B | 113 BPM | ||
La jota aragonese | Maria Dolores de Goñi, Heike Matthiesen | G Major | 0 | 9B | 70 BPM | ||
Suite No. 3 in G Major (Orig. C Major), BWV 1009: I. Prélude | Michael Nicolella | G Major | 2 | 9B | 83 BPM |
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