Johan Friedich Franz Burgmüller, Pablo F Bello's '25 Progressive Pieces for Piano in G Major, Op. 100: No. 7, the Crystal Current. Allegro' came out on May 20, 2019. With 25 Progressive Pieces for Piano in G Major, Op. 100: No. 7, the Crystal Current. Allegro being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 25 in Franz Burgmüller, Progressive Pieces for Piano by Johan Friedich Franz Burgmüller, Pablo F Bello. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, 25 Progressive Pieces for Piano in G Major, Op. 100: No. 7, the Crystal Current. Allegro's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of 25 Progressive Pieces for Piano in G Major, Op. 100: No. 7, the Crystal Current. Allegro by Johan Friedich Franz Burgmüller, Pablo F Bello is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
3 Songs, Op. 7: I. Après un rêve (Version for Violin and Piano) | Gabriel Fauré, María Dueñas, Itamar Golan | D Major | 1 | 10B | 87 BPM | ||
6 Morceaux, Op. 51: No. 6. Valse sentimentale | Pyotr Ilyich Tchaikovsky, Oxana Yablonskaya | F Minor | 0 | 4A | 77 BPM | ||
2 Morceaux, Op. 9: No. 1, Valse | Anatoly Lyadov, Alexander Warenberg | F♯ Minor | 1 | 11A | 67 BPM | ||
Satie - 2nd Gymnopedie | Martin Bloch | D Minor | 0 | 7A | 81 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
8 Easy Pieces, Op. 43: No. 1, Prélude | Reinhold Glière, Alton Chung Ming Chan | D♭ Major | 0 | 3B | 66 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
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