"6 Morceaux, Op. 51: No. 6. Valse sentimentale" by Pyotr Ilyich Tchaikovsky, Oxana Yablonskaya was released on April 7, 1995. With this song being about 5 minutes long, at 4:55, "6 Morceaux, Op. 51: No. 6. Valse sentimentale" by Pyotr Ilyich Tchaikovsky, Oxana Yablonskaya is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Tchaikovsky: Piano Music, Vol. 1". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. 6 Morceaux, Op. 51: No. 6. Valse sentimentale is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Morceaux, Op. 51: No. 6. Valse sentimentale by Pyotr Ilyich Tchaikovsky, Oxana Yablonskaya having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in E, Op.22: 1. Moderato | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E Major | 1 | 12B | 86 BPM | ||
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Piano Quintet in A Minor, Op. 14: II. Andante sostenuto | Camille Saint-Saëns, Fine Arts Quartet, Cristina Ortiz | F Major | 0 | 7B | 72 BPM | ||
Mazurka Op. 67 No. 2 For Piano | Arthur Rubinstein | B♭ Major | 2 | 6B | 51 BPM |
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