"Noli me tangere, Op. 87: V. Autumnal Wind" by Erkki Melartin, Izumi Tateno was released on November 1, 2013. With Noli me tangere, Op. 87: V. Autumnal Wind being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Erkki Melartin, Izumi Tateno's "Melartin: Works for Piano" album is number 13 out of 16. On top of that, Finland appears to be the country where this track was created. Noli me tangere, Op. 87: V. Autumnal Wind is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Noli me tangere, Op. 87: V. Autumnal Wind by Erkki Melartin, Izumi Tateno to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder Ohne Worte, Fünftes Heft, Op. 62 (Arr. for Violin and Piano by Ferdinand David): I. Andante espressivo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Abbey Road concerto for Violin and Orchestra: VIII. Here Comes The Sun | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Tudo Azul (Original Soundtrack) | Gabriel DaCruz | G Major | 2 | 9B | 110 BPM | ||
Paris In April | Winfred Jeremiah | B♭ Major | 1 | 6B | 91 BPM | ||
Sonata No. 5 in F Major: II. Grave | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | F Major | 4 | 7B | 73 BPM | ||
Sonder | Nasir | C Major | 1 | 8B | 61 BPM | ||
愛之悲 | 最好的時光三重奏 | A Minor | 1 | 8A | 84 BPM | ||
Beau Soir, L. 6 | Claude Debussy, Blake Pouliot, Hsin-I Huang | F♯ Minor | 1 | 11A | 172 BPM | ||
Sonata No. 1 in F Major: I. Allegro | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | E Minor | 3 | 9A | 68 BPM | ||
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM |
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