Mateo Romero, La Boz Galana's 'Ricos de galas y flores' came out on January 31, 2020. The duration of Ricos de galas y flores is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Ricos de galas y flores's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in La Boz Galana's "Los ecos de Manzanares: Cancionero de la sablonara" album is number 9 out of 16. On top of that, Netherlands appears to be the country where this track was created. Ricos de galas y flores is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ricos de galas y flores by Mateo Romero, La Boz Galana to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballo Francese chiamato Petit Rinense (Arr. for Wind Ensemble and Percussion by Nicolas Sansarlat) | Giovanni Ambrosio, Into the Winds | B♭ Major | 1 | 6B | 136 BPM | ||
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Entre Dos Mansos Arroyos, Romance a 4 | Mateo Romero, Clematis, Cappella Mediterranea, Leonardo García-Alarcón | E Major | 2 | 12B | 104 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn III - Aestimatus sum | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Manuscrit Panmure: Sarabande et Double in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Minor | 1 | 12A | 64 BPM | ||
Airs à quatre parties, Livre I: Que feray-je? | Jean Boyer, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | D Minor | 2 | 7A | 76 BPM | ||
Te lucis ante terminum I | Thomas Tallis, Owain Park, The Gesualdo Six | A♭ Minor | 0 | 1A | 95 BPM | ||
D'un feu secret je me sens consumer | Michel Lambert, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Passacalle, La Folie | Henri Le Bailly, Claire Lefilliâtre, Marc Pontus, Serge Goubioud, Le Poème Harmonique, Vincent Dumestre | G Minor | 1 | 6A | 104 BPM | ||
Sonata No. 1 in F Major, ZWV 181, 1: I. Adagio ma non troppo | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | F Major | 1 | 7B | 143 BPM |
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