Dido and Aeneas, Z. 626: Act II: Ritornelle
Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble
Purcell: Dido and Aeneas
0:45 May 14, 1997
BPM
137
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Dido and Aeneas, Z. 626: Act II: Ritornelle - Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble Information

Acousticness
86%
Danceability
28%
Energy
1%
Instrumentalness
48%
Liveness
14%
Loudness
53%
Speechiness
4%
Valence
23%
Popularity
Loudness
-27.933 dB

Summary

Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble's 'Dido and Aeneas, Z. 626: Act II: Ritornelle' came out on May 14, 1997. With Dido and Aeneas, Z. 626: Act II: Ritornelle being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #24. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Dido and Aeneas, Z. 626: Act II: Ritornelle's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Dido and Aeneas, Z. 626: Act II: Ritornelle BPM

With Dido and Aeneas, Z. 626: Act II: Ritornelle by Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Dido and Aeneas, Z. 626: Act II: Ritornelle Key

This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio by Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav KrcekConcerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: AdagioFrancesco Onofrio Manfredini, Capella Istropolitana, Jaroslav KrcekC Major38B114 BPM
Mass No. 7 in B-Flat Major, Hob. XXII:7, Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): KyrieJoseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen BurdickB♭ Major26B99 BPM
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai by William Boyce, Academy of Ancient Music, Christopher HogwoodSymphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assaiWilliam Boyce, Academy of Ancient Music, Christopher HogwoodD♭ Major23B131 BPM
Stabat Mater: 3. O quam tristis by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonStabat Mater: 3. O quam tristisGiovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonG Minor16A80 BPM
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] by Carl Philipp Emanuel Bach, Giovanni MazzocchinNotebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123]Carl Philipp Emanuel Bach, Giovanni MazzocchinE♭ Major15B113 BPM
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLe bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et ArlequinsJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major02B0 BPM
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden"Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian WatsonD Major310B99 BPM
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau by Carl Friedrich Abel, Elinor Frey, Lorenzo GhielmiSonata for violoncello and basso continuo in G Major, WKO 147: III. RondeauCarl Friedrich Abel, Elinor Frey, Lorenzo GhielmiF♯ Major22B147 BPM
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax by Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodNulla in mundo pax, RV 630: 1. Nulla in mundo paxAntonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodE♭ Major15B99 BPM
Suite No. 3, P. 172: I. Italiana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: I. Italiana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraB♭ Major16B94 BPM
ISRC
HKI199706124
Label
L-M Records/RCA Records

Section: 0.7005646228790283

End: 0.7053608894348145