Prelude (Fantasy) and Fugue in G Minor, BWV 542 "Great" - Arr. Münchinger: Fugue - Johann Sebastian Bach, Stuttgart Chamber Orchestra, Karl Münchinger Information

Acousticness: 95%
Danceability: 50%
Energy: 38%
Instrumentalness: 88%
Liveness: 62%
Loudness: 74%
Speechiness: 4%
Valence: 69%
Popularity: 9%
Loudness: -15.683 dB

Summary

Johann Sebastian Bach, Stuttgart Chamber Orchestra, Karl Münchinger made "Prelude (Fantasy) and Fugue in G Minor, BWV 542 "Great" - Arr. Münchinger: Fugue" available on January 1, 1978. With this song being about 5 minutes long, at 4:55, "Prelude (Fantasy) and Fugue in G Minor, BWV 542 "Great" - Arr. Münchinger: Fugue" by Johann Sebastian Bach, Stuttgart Chamber Orchestra, Karl Münchinger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 15 in Albinoni / J.S.Bach / Handel / Pachelbel etc.: Adagio / Fugue in G minor / Organ Concerto No.4 / Canon etc. by Stuttgart Chamber Orchestra, Karl Münchinger. In terms of popularity, Prelude (Fantasy) and Fugue in G Minor, BWV 542 "Great" - Arr. Münchinger: Fugue is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Prelude (Fantasy) and Fugue in G Minor, BWV 542 "Great" - Arr. Münchinger: Fugue BPM

The tempo marking of Prelude (Fantasy) and Fugue in G Minor, BWV 542 "Great" - Arr. Münchinger: Fugue by Johann Sebastian Bach, Stuttgart Chamber Orchestra, Karl Münchinger is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Prelude (Fantasy) and Fugue in G Minor, BWV 542 "Great" - Arr. Münchinger: Fugue Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony in F Major, J-C 36: III. Allegro assai	Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon	E Major	3	12B	126 BPM
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby]	Johannes Brahms, Yo-Yo Ma	E♭ Major	0	5B	134 BPM
Abdelazar Suite, Z. 570: VI. Air	Henry Purcell, Camerata Nordica, Terje Tonnesen	G Minor	2	6A	131 BPM
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2	Franz Schubert, Evgeny Kissin	E♭ Major	0	5B	71 BPM
Capriccio brillant, Op. 22: Andante	Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra	B Major	0	1B	91 BPM
Unaccompanied Cello Suite No. 1 in G major, BWV 1007: V. Menuets I & II	Johann Sebastian Bach, Yo-Yo Ma	G Major	0	9B	112 BPM
Suite in G minor: VII. Rigaudon (Arr. A. Camden)	George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward	C Minor	1	5A	118 BPM
Keyboard Suite No. 2 (Set I) in F Major, HWV 427: I. Adagio	George Frideric Handel, Philip Edward Fisher	D Minor	0	7A	72 BPM
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet	Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori	B Major	2	1B	141 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.777472734451294

End: 0.7827205657958984