"O virga ac diadema purpure Regis (Sequentia)" by Hildegard von Bingen, La Reverdie, I Piccoli Cantori di San Bortolo was released on 2003. Since O virga ac diadema purpure Regis (Sequentia) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Von Bingen: Sponsa Regis (La victoire de la Vierge dans l'œuvre d'Hildegard) by Hildegard von Bingen, La Reverdie, I Piccoli Cantori di San Bortolo. The song's track number on the album is #12 out of 13 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, O virga ac diadema purpure Regis (Sequentia) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since O virga ac diadema purpure Regis (Sequentia) by Hildegard von Bingen, La Reverdie, I Piccoli Cantori di San Bortolo has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With O virga ac diadema purpure Regis (Sequentia) being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 5/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parce Domine | The Schola Cantorum of St. John XXIII Parish | D♭ Minor | 1 | 12A | 137 BPM | ||
Je me complains piteusement | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Major | 0 | 11B | 75 BPM | ||
На реках Бабилонских | St. Peter St. Paul Cathedral Choir of Minsk | A♭ Minor | 2 | 1A | 78 BPM | ||
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
Cor meum conturbatum est, IOL 58 | Orlande de Lassus, Pro Musica, Szabó Dénes | D Minor | 1 | 7A | 82 BPM | ||
O vos imitatores excelse (Responsory to the Confessors) [(V fol. 163v)] | Hildegard von Bingen, Sequentia, Benjamin Bagby | B♭ Major | 0 | 6B | 78 BPM | ||
Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
We Sing Unto Thee | The Valery Rybin Male Choir | G Major | 0 | 9B | 80 BPM | ||
Choir Concerto No.25, Op. 25: II. Largo. Allegro | Kiev Chamber Choir | D♭ Major | 2 | 3B | 80 BPM | ||
O ignis Spiritus Paracliti | Hildegard von Bingen, Benedictine Nuns of the Abbey of St. Hildegard Eibingen | D♭ Major | 0 | 3B | 131 BPM |
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