"O vos imitatores excelse (Responsory to the Confessors) [(V fol. 163v)]" by Hildegard von Bingen, Sequentia, Benjamin Bagby was released on May 10, 2013. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hildegard von Bingen, Sequentia's "Hildegard von Bingen - Celestial Hierarchy" album is number 8 out of 10. O vos imitatores excelse (Responsory to the Confessors) [(V fol. 163v)] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O vos imitatores excelse (Responsory to the Confessors) [(V fol. 163v)] by Hildegard von Bingen, Sequentia, Benjamin Bagby to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Contre Qui, Rose | Nordic Chamber Choir | B♭ Minor | 1 | 3A | 139 BPM | ||
Taverner: Missa Corona spinea - 08. Hosanna 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 2 | 5B | 80 BPM | ||
Karitas habundat | Hildegard von Bingen, Vajra Voices, Shira Kammen | G Major | 1 | 9B | 66 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Messe de Notre Dame: Kyrie | Guillaume de Machaut, Amarcord | D Major | 2 | 10B | 79 BPM | ||
Antiphona O, quam mirabilis est | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Kamila Mazalová | G Major | 0 | 9B | 63 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Ach Vlaendere vrie | Thomas Fabri, Capilla Flamenca | B♭ Major | 2 | 6B | 89 BPM | ||
Sanctus (Da gaudiorum premia), JD 18 | John Dunstable, Tonus Peregrinus, Antony Pitts | F♯ Major | 1 | 2B | 79 BPM | ||
Missa, "In myne zin": Agnus Dei: Agnus I | Alexander Agricola, A:N:S Chorus, Janos Bali | A Minor | 2 | 8A | 79 BPM |
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