"Rossini: Zelmira, Act 1: "Perche mi guardi e piangi" (Zelmira, Emma)" by Gioachino Rossini, Maurizio Benini, Scottish Chamber Orchestra was released on January 1, 2003. Rossini: Zelmira, Act 1: "Perche mi guardi e piangi" (Zelmira, Emma) is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. There are a total of 51 in the song's album "Rossini: Zelmira". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Rossini: Zelmira, Act 1: "Perche mi guardi e piangi" (Zelmira, Emma) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossini: Zelmira, Act 1: "Perche mi guardi e piangi" (Zelmira, Emma) by Gioachino Rossini, Maurizio Benini, Scottish Chamber Orchestra having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The voice of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 132 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 2 | 12B | 95 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM |
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