Sergei Prokofiev, Trombone Unit Hannover, Yuval Wolfson, Martin Hennecke, Dominik Minsch, Johann Walter's 'Romeo & Juliet, Op. 64 (Highlights Arr. L. Karlin for Trombone Ensemble): Romeo at Friar Laurence's' came out on November 3, 2017. The duration of Romeo & Juliet, Op. 64 (Highlights Arr. L. Karlin for Trombone Ensemble): Romeo at Friar Laurence's is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Romeo & Juliet, Op. 64 (Highlights Arr. L. Karlin for Trombone Ensemble): Romeo at Friar Laurence's's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Trombone Unit Hannover's "Living on the Edge" album is number 5 out of 22. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Romeo & Juliet, Op. 64 (Highlights Arr. L. Karlin for Trombone Ensemble): Romeo at Friar Laurence's is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Romeo & Juliet, Op. 64 (Highlights Arr. L. Karlin for Trombone Ensemble): Romeo at Friar Laurence's by Sergei Prokofiev, Trombone Unit Hannover, Yuval Wolfson, Martin Hennecke, Dominik Minsch, Johann Walter to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Sylvia: Pizzicato | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 0 | 5B | 159 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Rachmaninov: 6 Moments Musicaux, Op. 16: No. 4 in E Minor | Sergei Rachmaninoff, Nikolai Lugansky | E Minor | 3 | 9A | 98 BPM | ||
Concerto For 4 Violins In B Minor, Op. 3, No. 10, RV 580 : I. Allegro | Antonio Vivaldi, Capella Istropolitana | B Minor | 3 | 10A | 107 BPM |
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