Nathan Milstein, Leon Pommers's 'Violin Sonata No. 2 in A, Op. 2/No. 2: I. Preludio a capriccio (Presto - Adagio - Presto)' came out on October 30, 2009. With Violin Sonata No. 2 in A, Op. 2/No. 2: I. Preludio a capriccio (Presto - Adagio - Presto) being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 100 Best Violin, so we believe that "Violin Sonata No. 2 in A, Op. 2/No. 2: I. Preludio a capriccio (Presto - Adagio - Presto)" is a single. Based on our statistics, Violin Sonata No. 2 in A, Op. 2/No. 2: I. Preludio a capriccio (Presto - Adagio - Presto)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Violin Sonata No. 2 in A, Op. 2/No. 2: I. Preludio a capriccio (Presto - Adagio - Presto) by Nathan Milstein, Leon Pommers is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Barber of Seville: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | E Major | 2 | 12B | 175 BPM | ||
Caprice in A minor, Op. 1, No. 5 | Mayuko Kamio | A Minor | 3 | 8A | 176 BPM | ||
9 Studies: No. 1. Allegro agitato | Charles-Auguste de Bériot, Bella Hristova | G Major | 1 | 9B | 129 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Scherzo-Tarantelle, Op. 16 | Henryk Wieniawski, Kyung Wha Chung, Phillip Moll | D Major | 2 | 10B | 107 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Moto perpetuo, Op. 11, MS 72 (Version for violin and orchestra) | Niccolò Paganini, Ivan Pochekin, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 5 | 8B | 174 BPM | ||
Passacaglia for Violin and Viola | Johan Halvorsen, Davide Alogna, José Adolfo Alejo | G Minor | 1 | 6A | 176 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Slavonic Fantasy in B minor | Antonín Dvořák, Joshua Bell, Peter Dugan | B Minor | 2 | 10A | 116 BPM |
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