"Symphony No. 4 (Sinfonia concertante), Op. 105: III. Duetto - Adagio" by Hans Gál, Orchestra of the Swan, Kenneth Woods, David le Page, Christopher Allan, Diane Clark, Sally Harrop was released on January 13, 2015. Since Symphony No. 4 (Sinfonia concertante), Op. 105: III. Duetto - Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hans Gál, Kenneth Woods, Orchestra of the Swan's "Hans Gál: The Four Symphonies" album is number 14 out of 15. In terms of popularity, Symphony No. 4 (Sinfonia concertante), Op. 105: III. Duetto - Adagio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4 (Sinfonia concertante), Op. 105: III. Duetto - Adagio by Hans Gál, Orchestra of the Swan, Kenneth Woods, David le Page, Christopher Allan, Diane Clark, Sally Harrop to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Short Pieces, Op. 6: No. 1, Prelude. Non troppo allegro | Howard Ferguson, John Finucane, Elisaveta Blumina | A Minor | 0 | 8A | 51 BPM | ||
Spring Song | Frank Bridge, ABRSM, Tim Horton, Gemma Rosefield | G Major | 0 | 9B | 94 BPM | ||
Brahms: Liebeslieder-Walzer, Op.52 - Verses from "Polydora" - 15. Nachtigall, sie singt so schön | Kathleen Ferrier, Horst Günther, Irmgard Seefried, Sir Clifford Curzon, Hans Gál, Julius Patzak | A♭ Major | 2 | 4B | 112 BPM | ||
Romanze, D. 797 - Transposition for Cello and Piano | Franz Schubert, Alexis Descharmes, Sébastien Vichard | D Major | 0 | 10B | 102 BPM | ||
3 Intermezzi, Op. 103 (Version for Flute & Piano): No. 2, Allegretto, quasi minuetto | Hans Gál, Suzanne Snizek, Alexandria Le | A♭ Major | 1 | 4B | 114 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Symphony No. 9 in D Major: I. Andante comodo: No. 8, Plötzlich bedeutend langsamer und leise | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Variations on a Nursery Song, Op. 25: Var. 3. L'istesso tempo | Ernst von Dohnányi, Isata Kanneh-Mason, Royal Liverpool Philharmonic Orchestra, Domingo Hindoyan | C Major | 1 | 8B | 130 BPM | ||
Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 1 | 8B | 66 BPM | ||
Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM |
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