10 Woodland Sketches, Op. 51: No. 1, To a Wild Rose (Arr. T. Frost for Orchestra) - Edward MacDowell, Eugene Ormandy, Philadelphia Orchestra Information

Acousticness: 87%
Danceability: 14%
Energy: 25%
Instrumentalness: 96%
Liveness: 8%
Loudness: 74%
Speechiness: 4%
Valence: 4%
Popularity: 12%
Loudness: -15.49 dB

Summary

"10 Woodland Sketches, Op. 51: No. 1, To a Wild Rose (Arr. T. Frost for Orchestra)" by Edward MacDowell, Eugene Ormandy, Philadelphia Orchestra was released on 1957. The duration of 10 Woodland Sketches, Op. 51: No. 1, To a Wild Rose (Arr. T. Frost for Orchestra) is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. 10 Woodland Sketches, Op. 51: No. 1, To a Wild Rose (Arr. T. Frost for Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 104 in the song's album "The Original Jacket Collection - Eugene Ormandy". In this album, this song's track order is #10. 10 Woodland Sketches, Op. 51: No. 1, To a Wild Rose (Arr. T. Frost for Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

10 Woodland Sketches, Op. 51: No. 1, To a Wild Rose (Arr. T. Frost for Orchestra) BPM

With 10 Woodland Sketches, Op. 51: No. 1, To a Wild Rose (Arr. T. Frost for Orchestra) by Edward MacDowell, Eugene Ormandy, Philadelphia Orchestra having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

10 Woodland Sketches, Op. 51: No. 1, To a Wild Rose (Arr. T. Frost for Orchestra) Key

A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile	Ludwig van Beethoven, Rudolf Buchbinder	E Major	0	12B	89 BPM
Ravel: Jeux d'eaux, M. 30	Maurice Ravel, Monique Haas	A♭ Major	2	4B	78 BPM
On The Wings Of Song Op. 34 No. 2	Felix Mendelssohn, Sarah Chang, Charles Abramovic	D Major	1	10B	84 BPM
10 Pieces, Op. 12: No. 7. Prelude	Sergei Prokofiev, Olli Mustonen	C Major	1	8B	77 BPM
12 Études, Op. 10: No. 3 in E Major	Frédéric Chopin, Jan Lisiecki	E Major	1	12B	71 BPM
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor	Gabriel Fauré, Christine Croshaw	F♯ Minor	0	11A	70 BPM
Lied für Piano-Forte	Gertrude van den Bergh, Frans Van Ruth	E Major	0	12B	132 BPM
Kinderszenen, Op. 15: 7. Träumerei	Robert Schumann, Martha Argerich	F Major	0	7B	130 BPM
Ave Maria, S. 558 (after Schubert, D. 839)	Franz Liszt, Benjamin Grosvenor	B♭ Major	0	6B	69 BPM
Chaconne in sol maggiore : Variazione 10	Lazar Berman	G Minor	0	6A	71 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6719164848327637

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