"Violin Sonata No. 5 in G Minor, Op. 5: V. Giga (Allegro)" by Arcangelo Corelli, Andrew Manze, Richard Egarr was released on 2002. The duration of Violin Sonata No. 5 in G Minor, Op. 5: V. Giga (Allegro) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Violin Sonata No. 5 in G Minor, Op. 5: V. Giga (Allegro)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 25 out of 53 in Corelli: Violin Sonatas, Op. 5 by Arcangelo Corelli, Richard Egarr, Andrew Manze. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Violin Sonata No. 5 in G Minor, Op. 5: V. Giga (Allegro) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata No. 5 in G Minor, Op. 5: V. Giga (Allegro) by Arcangelo Corelli, Andrew Manze, Richard Egarr is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 7 in D Major, Op. 6: IV. Allegro - Adagio | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Suite for String Orchestra & Basso Continuo in D minor "Old Dance": Sarabande | Genadi Cherkasov, Arcangelo Corelli, Chamber Orchestra of the Moscow Conservatory | D Minor | 1 | 7A | 86 BPM | ||
Concerto for Recorder, Oboe and 2 Violins in C Major, RV 87: III. Allegro assai | Antonio Vivaldi, László Kecskeméti, László Hadady, Attila Falvay, Katalin Parkanyi, Gyorgy Kertesz, Borbála Dobozy | C Major | 2 | 8B | 176 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM |
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