"Othello, Op. 79: I. Dance" by Samuel Coleridge-Taylor, Chineke! Orchestra, Fawzi Haimor was released on September 30, 2022. The duration of Othello, Op. 79: I. Dance is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Othello, Op. 79: I. Dance's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 27 in Coleridge-Taylor by Samuel Coleridge-Taylor, Chineke! Orchestra, Avril Coleridge-Taylor. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Othello, Op. 79: I. Dance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Othello, Op. 79: I. Dance by Samuel Coleridge-Taylor, Chineke! Orchestra, Fawzi Haimor is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Onaway! Awake, beloved | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Sir Malcolm Sargent, Richard Lewis | B♭ Minor | 2 | 3A | 63 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Deep River for Piano | Samuel Coleridge-Taylor, William Chapman Nyaho | B♭ Minor | 7 | 3A | 120 BPM | ||
Lyric for Strings | George Walker, Chicago Sinfonietta, Paul Freeman | F♯ Major | 0 | 2B | 99 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM |
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