Marianna Martines, Salzburger Hofmusik, Wolfgang Brunner's 'Psalm 110: IV. Juravit Dominius' came out on January 21, 2022. The duration of Psalm 110: IV. Juravit Dominius is about 3 minutes long, at 3:11. Based on our data, "Psalm 110: IV. Juravit Dominius" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Marianna Martines, Salzburger Hofmusik, Wolfgang Brunner's "Martines: Symphony in C Major, Psalms 110 & 151" album is number 4 out of 17. On top of that, Germany appears to be the country where this track was created. Psalm 110: IV. Juravit Dominius is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psalm 110: IV. Juravit Dominius by Marianna Martines, Salzburger Hofmusik, Wolfgang Brunner to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in B mayor: 3. Presto | Georg Matthias Monn, Camerata Bern, Thomas Füri | F♯ Major | 2 | 2B | 138 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Antigono, Wq. 21 (Excerpts): Sinfonia. Allegro | Christoph Willibald Gluck, Händelfestspielorchester Halle, Martin Hofstetter | F♯ Major | 0 | 2B | 159 BPM | ||
Mass in C Minor, K.427 "Grosse Messe" (Ed. Maunder): Et incarnatus est | Wolfgang Amadeus Mozart, Arleen Auger, Academy of Ancient Music, Christopher Hogwood | A Minor | 2 | 8A | 173 BPM | ||
Suite Les Boréades, RCT 31: 9. Entrée d' Albaris, Polimnie, les Muses, Zéphirs, Saisons, Les Heures et Les Arts | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 2 | 3B | 85 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Concerto Grosso Op. 6 No. 4 : IV. Giga Allegro | Arcangelo Corelli, Verità Baroque, Guglielmo Dandolo Marchesi, Eugenia Ottaviano, Bartolomeo Dandolo Marchesi | D♭ Major | 3 | 3B | 146 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Rodelinda, regina de' Langobardi (Act 1): L'empio rigor del fato | Carl Heinrich Graun, Jeanine De Bique, Concerto Köln, Luca Quintavalle | E♭ Major | 2 | 5B | 123 BPM |
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