Stefan Schaub's 'Faszination Schostakowitsch: Der Abschied' came out on January 1, 2000. Faszination Schostakowitsch: Der Abschied is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in Stefan Schaub's "Klassik Kennen Lernen 10: Faszination Schostakowitsch (" album is number 7 out of 7. In terms of popularity, Faszination Schostakowitsch: Der Abschied is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Faszination Schostakowitsch: Der Abschied by Stefan Schaub to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Piano and Orchestra No. 2 in F Minor, Op. 21 (Arr. By Mikhail Pletnev): III. Allegro vivace | Frédéric Chopin, Daniil Trifonov, Mahler Chamber Orchestra, Mikhail Pletnev | F Minor | 2 | 4A | 103 BPM | ||
Mendelssohn-Hensel, F: String Quartet in E-Flat Major: IV. Allegro molto vivace | Fanny Mendelssohn, Quatuor Ébène | E♭ Major | 4 | 5B | 137 BPM | ||
Divertimento No. 1, Op. 20: II. Roka tanc (Fox Dance) | Leó Weiner, Budapest Strings, Karoly Botvay | D Minor | 2 | 7A | 82 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus | F Major | 2 | 7B | 98 BPM | ||
Czardas Nr. 1 | David Bernbach | D Major | 1 | 10B | 161 BPM | ||
12 Concerti et sinphonie, Op. 1: Symphony No. 5 in F Major: I. Allegro | Giuseppe Antonio Brescianello, Cetra Baroque Orchestra Basel, La, David Plantier, Vaclav Luks | E Major | 3 | 12B | 139 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Orchestral Version) | Sergei Rachmaninoff, Paavo Järvi, Orchestre de Paris | F♯ Major | 3 | 2B | 133 BPM | ||
Klarinettenkonzert Nr.3 B-dur: I. Allegro moderato | Carl Stamitz, Sabine Meyer, Iona Brown, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 138 BPM | ||
In Principio: I. In Principio Erat Verbum | Arvo Pärt, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Tõnu Kaljuste | B♭ Major | 0 | 6B | 90 BPM | ||
Pizzicato | Johann Georg Reutter, La Gioia Armonica, Jurgen Banholzer | A Major | 0 | 11B | 60 BPM |
Section: 0.6654388904571533
End: 0.6693027019500732